letters from c.

i have been extraordinarily lucky, having evaded, thus far, death and its many variants. life, as EM Forster wrote, is easy to chronicle but bewildering to practise. and yet, we are told, practise makes perfect. ever the ardent practitioner, c.

Month: June, 2012

commuting in foreign lands

my taxi is hurtling through the traffic jam,—driving between the lines is optional here—daring the illegally-operated buses to slam into and kill us, which, apparently, is not that rare.  life is nonchalant about death here.  the radio is blaring in a language i don’t understand, but from the tone i know it’s hyperbole, which means it’s talk radio, uniformly stupid everywhere on earth.  ah, another physical constant to add to the pantheon of greek alphabet-denoted quantities– the stupidity constant, describing inanities broadcast over radio waves: Sr.  there would be other subscripts, of course, for constant S, as quantifiably stupid things abound in our lifetime.  constant S would presumably be the most voluminous constant in the universe, with entire encyclopedias devoted to describing its many forms and incarnations.  but it would be ironically stupid to devote time to studying stupid things, and that must be why no one has bothered.

we stop at a traffic light (only because there are cars blocking the intersection, not because a red light is any impediment), and immediately children press their faces and hands against the window, gesturing for money.  i have not been here long enough to stare stoically away; i cannot help but look into their young faces and wish that i could whisk them off to a basketball game, or sponsor them all to go to harvard.  my taxista, inured to this daily pathos, nudges abruptly forward, loosening the car from the tangle of skinny arms that had enveloped it.  the children surround the car behind; i watch him watching them doing so in the mirror.  finally the intersection clears, and we are off again in formula one racing mode, clipping motorcyclists and riding in the black cone of pollution emanating from aforementioned buses.  an ambulance siren has been growing louder for some time now, it seems to be stuck at fortissimo.  i turn around and see that it is right behind us.  instead of getting out of the way, traffic moves more frantically forward.  we race the ambulance and its emergency package the rest of the trip, until we turn off the highway.

after shouted instructions in several languages, none of which is the right one, i arrive at my destination, heralded by the slamming of brakes and the hurtling of my briefcase into the front seat.  that was my morning commute, the prelude to the rest of the day.



rainbow canyon

years ago i found myself in rainbow canyon, in the mohave desert, about 2 hours east of barstow, california.  i was driven there in the middle of the night by a madman with an acoustic bass, the same bass that jack lemmon played in billy wilder’s ‘some like it hot’.  i had just stepped off a 2 day train ride across the country,  tired and disoriented but relishing it—barstow, the middle of nowhere, in the middle of the night.  we drove into the unlit desert, the road was packed sand interrupted by large rocks.  the sight of the road bounded by the thin beams of the headlights was disconcerting.  it was the setting for a documentary about an axe murderer in the desert, or it might have been the beams of a submersible under several kilometers of ocean and thousands of pounds pressure.

spent an uncomfortable night in the frigid desert air, but at the slowly creeping indigo dawn, awakened to discover, wordlessly, how rainbow canyon got its name: as the sun moved with ancient, tactile stealth over the horizon, one could make out striations in the canyon walls, strung out in lovely, uneven parallels and stacked in shades of gray, then purple, then every sparkling color of the spectrum, most too fleeting to name or grasp.  it was a breathtaking sight, as if a young mary cassatt had taken her pastels and raced around the periphery of the rocks before breakfast.  i turned to the madman, and he began to play.

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